Late last night, a friend of mine (a very experienced lighting designer & master GrandMA programmer as well) came to visit. He loved the different looks, and especially the fact that nearly all of them could stand on their own, background music or not. We talked for a while about the behind the scenes gear that make everything run so nicely.
He asked what the ‘next step’ might be.
I had to think. There’s currently available several RGB mappable, flexible pixel mesh products in the professional market. And as they say, you can have anything in this world for money.
But – and this is perhaps more important – this is a home in a nice quiet neighborhood. It’s neither a rock concert nor a rave. And to this point, it still looks like classic Christmas lights, albeit slightly enhanced. I think that’s important and magical.
At least for now, that’s how it’s going to stay.
A few nights ago, I went out to get the mail and noticed a car parked across the street. They had their window open, and through it I could hear John Denver & the Muppets singing ‘Silent Night’ (see comments below). The car was packed with 8 year old boys and their parents. I asked the boys if they wanted to stand inside the tree and watch the patterns from there.
Super excited, they tumbled out of the car and over to the yard. As I parted the light strings so they could climb in, one of the parents remarked that their friend said they ‘had to come visit the diamond house before Christmas.’
“The what?” I asked.
“The diamond house. Because it’s so sparkly and amazing.” That made me smile.
Thanks for visiting! Enjoy the video and stills below.
In the fall of 2011, we were lucky enough to visit Walt Disney World in Orlando. We spent the day and evening there, and were gathered around Cinderella’s castle for the evening lighting ceremony. It was a magical moment, and the shaky cell phone photo taken above became the inspiration for our decorations this year.
(All photos in this post may be enlarged with a single click.)
2012 House + Lights.
Our goal this time was to create something beautiful, classy and memorable. We wanted still images which could stand on their own, plus sequences which could gracefully flow and be complemented by music.
I think we succeeded in grand style.
A couple of still photos are included above, and the boring technical details below. I’ll post some video and more stills in a week or two.
The stone face of the house is covered with warm and cool white LED panels. We lost track of the exact number installed. The CAD guy in our builder’s office claims that there’s about 944 square feet of stone which need to be covered. Each panel of lights measures 2 meters x 1 meter. Total LED count here is somewhere in the 22,000 – 24,000 range.
240 watts of LED floodlight.
~4,100 discretely controlled RGB bulbs on the 25′ tree.
~150 ‘sparkle’ lights (higher power, 3 x RGB emitters in a single package), also on the façade.
More RGB bulbs on the rooflines. Maybe 250 – 300?
28 (?) universes of DMX over ethernet, totaling ~ 5 megabits per second of data throughput.
Custom designed DC dimmers and Art-Net–> DMX bridge interfaces.
Lighting computer jam syncs to time code generated by audio computer, which keeps things nicely locked together.
Small radio transmitter broadcasting in stereo on 87.7 MHz.
A huge challenge was figuring out how to attach the lights to the house’s stone walls. It’s done in ‘dry stack’ style, which means that most of the stone sections stick out 1/2″ to 3/4″ in front of the mortar. So there’s lots of area to grab on to, but the shapes are very irregular, with often non-parallel sides.
I considered C clamps (too much money, didn’t want scratched rock) and plastic alligator work clamps (didn’t open wide enough, except for the super expensive ones). At 200-300 pieces required, cost starts to increase in a hurry.
While trolling through Lowes I found a perfect solution. Plastic gray PVC electrical conduit is available in many diameters. I bought 10′ sections of 3″ and 2.5″ pipe to test. Using a chop saw, I cut a section of pipe in narrow bracelet-sized pieces, with widths varying between 3/16″ and 1/4″. Then, I used the same saw, I cut about 50 degrees out from each circle, leaving me with a section of plastic which looked a bit like PacMan.
These sections were both very flexible and very strong. They easily stretch to the width of a stone section, but also grab tightly when released.
For $40 in pipe (and a lot of annoying plastic powder kerf), I’m absolutely thrilled with the results.
I designed a daughtercard which, through a short section of ribbon cable, mates with Parallax’s Spinneret ethernet module. And thus, a two universe Art-Net to DMX bridge was born. Parts cost for the daughtercard was just a few dollars. It works beautifully, running at an easy 44 frames per second on both outputs. If I get some time in January, and if there’s any interest, I’ll release the .spin code I used.. Size of the card is only about 1″ x 3″, which is nice and compact.
In this case, the panel lights use one universe and the floodlights are on the other.
The house face lights use 120 channels of one universe and the flood lights 12 of another. Crazy that it’s easier – at least in this case – to add a universe than to run more cable between here and there.
The stone face lights are controlled by five DC DMX dimmers I designed. Each drives 24 discrete outputs or 12 warm/cool pairs. Everything except the 24v/2.5A power supply fits on a 3″ x 5″ PCB card, which is nice and compact. The drive stages are rated at 2A each, but the panels only draw about 80 mA each. That leaves plenty of headroom, and no noticeable heat is generated anywhere on the card. Connectors on the left are for Neutrik’s Ethercon series.
Earlier this summer I previewed some different styles of net light. I was concerned because all of the AC-driven ones flickered annoyingly when I glanced my eyes back and forth across them. The flicker was at either 60 or 120 Hz, and it bothered me. It’d be easier, I reasoned, to go with custom panels which could be directly DC powered.
So I asked the factory to modify an existing design for +24v DC operation, which they did nicely. The dimming engine runs at a 5 KHz refresh cycle, which means the light output is both camera- and eyeball friendly.
Total data rate is ~ 5 megabits per second sustained.
Questions? Comments? It’s truly beautiful to see at night.